Apple’s gain is Palm’s loss…
Apple’s gain is Palm’s loss… Read More »
I’ve been yawning about the rumors of a phone that’s also an iPod — music is the least of the apps that I use on my phone, and I’m quite happy with my Treo 650. But a quad-mode phone that runs OS X, including dashboard widgets and Safari, with GSM, EDGE, Wi-Fi and Bluetooth? Now that’s a big deal! (And just as the future of Palm OS was looking a little shaky — looks like now I can continue with my life-long dream of never having to use any form of Windows. 🙂
I’m especially looking forward to playing with is the two-fingered “pinch” interface for resizing, something that’s possible because their touchscreen can handle multiple touches at once — I’ve wanted something like that since I saw Sun’s Starfire concept video back in 1993…
So much more than an iPod Phone… Read More »
I just posted a few different methods for disarming the Under Glass trap over in my traps gallery:
There are several potential methods to disarm this kind of trap, though depending on the particular trap implementation some of them may be more or less effective. I’ve only actually used the first two methods, the others are suggestions I’ve heard that sound plausible but haven’t been field-tested. Note that there are various destructive methods you could use to open this trap without setting it off, such as drilling a hole from the underside, but that’s considered cheating: the idea is to get the “treasure” out of the box without setting off the trap and without damaging either the box or trap itself.
Strong Magnet: Depending on the strength and position of the popper, placing a strong magnet against the glass (or box bottom) can keep it in closed position while you remove the dome. My earlier prototype with the popper stuck to the glass could be disarmed by simply placing a very strong rare earth magnet against the glass, and then whacking the box, dome and magnet down on the arm of the couch so that the popper would snap shut from the inertia. Once the popper was closed, the magnet was strong enough to keep it closed such that the dome, magnet and popper could all be removed without setting off the cap. (Unfortunately for Jay, the version I gave him was simply too powerful even for the four large rare earth magnets I had brought with me.)
Rice: The second option is to fill the dome with a substance that can fit through the small crack between the box and glass but still interfere with the firing mechanism. I used grains of rice, which could be forced under the dome using a thin piece of spring steel. After I had a decent amount of rice inside the dome itself I was able to lift it out of the box without firing the cap. The hammer sprung down, but wound up with a single grain of rice between it and the unfired cap. Water would also probably work, though it might damage the box or contents. Note that evacuating the dome of oxygen (for example by using a wine preserver gas) does not seem to work — I’m guessing the caps provide their own oxygen source.
Wax / glue: We haven’t tried this, but it might be possible to carefully maneuver some sticky wax or glue through the crack in the side such that it holds the playing card to the underside of the glass dome, thus pulling the card up with the dome when it’s removed from the box.
Flexible shim: We haven’t tried this yet either, but there exist metal shims that are extremely flexible, and such a shim might be able to actually bend through a crack between the glass and box side and get inside enough to block a popper from firing. This was essentially Jay’s strategy using pipe cleaners, but they weren’t quite flexible enough, and one of the poppers got free and went off.
Disarming “Under Glass” Read More »
Via Mind Hacks, this quote from A Writer’s Notebook by W. Somerset Maugham sums up my wonder at the physical basis of the brain better than anything I’ve ever read:
“The highest activities of consciousness have their origins in physical occurrences of the brain, just as the loveliest melodies are not too sublime to be expressed by notes.”
Great analogy on consciousness and brain Read More »
I never knew this! Via LiveScience, via Cognitive Daily:
Squinting reduces the amount of peripheral light coming into the eye so that a greater percentage of light comes from the center of the visual field… It’s wrong to to say that “‘squinting squishes the eyeball slightly to correct for a focus point that misses the mark.’ Although the lens does change shape, this is a reflex muscle action that can accompany (but is not the result of) squinting.”
How squinting helps us see Read More »
Interesting comment from this article on why humans are so good at recognizing music:
The subtlest reason that pop music is so flavorful to our brains is that it relies so strongly on timbre. Timbre is a peculiar blend of tones in any sound; it is why a tuba sounds so different from a flute even when they are playing the same melody in the same key. Popular performers or groups, Levitin argued, are pleasing not because of any particular virtuosity, but because they create an overall timbre that remains consistent from song to song. That quality explains why, for example, I could identify even a single note of Elton John’s “Benny and the Jets.”
“Nobody else’s piano sounds quite like that,” he said, referring to John. “Pop musicians compose with timbre. Pitch and harmony are becoming less important.”
(Thanks to Janie for the link!)
I can name that tune in one note… Read More »
Remember back to your misspent youth (or recent adulthood) spent playing Dungeons and Dragons, and how your adventuring party sweated as your thief tried desperately to disarm all the traps before opening a treasure chest? It’s in that spirit that my friend Jay and I have exchanged trapped presents every Christmas for the past sixteen or so years.
When people ask me how to disarm a trap I’m giving Jay I’ll often joke that “I just design them, disarming them is his problem,” but I actually like to know that I can get through it before I hand it off to Jay. This year’s trap almost had me stumped, and I spent almost as long figuring out how to disarm my trap as I did designing it. The trap is even more maddening because there’s nothing hidden about it — after you open the box you can plainly see all the trap mechanisms through a glass dome, just as plainly as you can see it’ll be almost impossible to get any tools at them without setting it off.
I’ve just added a write up and video of the design, called Under Glass, to my traps gallery, and I’ll be adding a write-up on Jay’s trap (which was quite cool this year) in the coming week or so.
Christmas Traps for 2006: Under Glass Read More »
From the Creative Commons weblog:
Creative Commons is excited to launch a beta version of its “Returning Authors Rights: Termination of Transfer” tool. The tool has been included in ccLabs — CC’s platform for demoing new tech tools. It’s a beta demo so it doesn’t produce any useable results at this stage. We have launched it to get your feedback.
Briefly, the U.S. Copyright Act gives creators a mechanism by which they can reclaim rights that they sold or licensed away many years ago. Often artists sign away their rights at the start of their careers when they lack sophisticated negotiating experience, access to good legal advice or any knowledge of the true value of their work so they face an unequal bargaining situation. The “termination of transfer” provisions are intended to give artists a way to rebalance the bargain, giving them a “second bite of the apple.” By allowing artists to reclaim their rights, the U.S. Congress hoped that authors could renegotiate old deals or negotiate new deals on stronger footing (and hopefully with greater remuneration too!!). A longer explanation of the purpose of the “termination of transfer” provisions is set out in this FAQ.
Basically their tool is designed to help authors and artists navigate the legal waters and reclaim their copyrights. From Lessig’s blog:
Why is this a Creative Commons project? We’ve seen CC from the start as a tool to help creators manage an insanely complicated copyright system. When we have this running, we’ll offer any copyright owner who has reclaimed his or her rights the opportunity to distribute the work under a CC license. But that will be optional. Right now, we’re just offering the tool to make it simpler for authors to get what the copyright system was intended to give them.
Creative Commons launches tool to reclaim rights Read More »
Cognitive Daily has a nice summary of a study showing that people tend to choke under pressure on tasks that use your working memory, but actually do better under pressure on so-called information-integration tasks that require less working memory.
When do we choke under pressure? Read More »
I wasn’t planning on posting anything for the Carl Sagan blog-a-thon marking the 10th anniversary of his death, but as it happens I recently discovered something I’d always remembered from Sagan’s 1978-79 TV show Cosmos was probably wrong.
I still have a mental image of Sagan sitting in a boat talking about how for millennia Japanese fishermen would throw back crabs that resembled a human face, thinking it might be the spirit of an ancient samurai. Over the years, he explained, these returned crabs bred to look even more like human faces, and the result of this unintentional artificial selection is the so-called samurai crabs, which bear a striking resemblance to the face of a samurai.
It’s a great story which has been around at least since a 1952 Life Magazine article by evolutionary biologist Julian Huxley. But according to a 1993 article by crustacean evolutionary biologist Joel Martin it’s almost certainly false. He points out that, though the myth that the crabs in the Sea of Japan are the ghosts of defeated Heike samurai is fairly old, there are three reasons the face-like quality of the crabs can’t be due to selective fishing:
Many crabs look like human faces, whether or not they are from the Sea of Japan or in regularly fished waters. The grooves that make the outline of the face are caused by supportive ridges that serve as sites for muscle attachments.
Fossils of crabs closely related to the samurai crab also resemble human faces, even though they predate man’s appearance on earth.
Most damning of all, the fishermen who make their living from the Sea of Japan don’t eat any of the samurai crab regardless of what they look like: they don’t grow any bigger than 1.2 inches across the back, so fishermen always just throw them back (or rather, they never bother to retrieve them from their nets in the first place).
It’s a shame that the story of unintentional artificial selection isn’t true, because it really is a great teaching story about evolution. The fact that I still remembered it enough to go searching on Wikipedia for “samurai crab” 27 years after I saw the original program may be the best testament to Carl Sagan I can give.
Evolution and the Samurai Crab Read More »